Harry Gould Harvey IV
A large installation. In the front are two free standing furnace sculptures ordained with melting wax. Behind the furnaces are two large wooden doors. On each side of the doors are hand framed drawings.

A Monument To The Families That Have Nothing To Offer The State But Their Children, 2021 Partially stripped and charred church doors from Providence, casting wax, candles, lead organ pipes, job-site heaters from Fall River, scrap metal from Whole Foods, steel angel from New Bedford, cast white bronze and colored pencil on Xerox Dimensions variable

Soft Water Hard Stone: New Museum Triennial, 2021 (Installation view) New Museum, New York

A graphite and colored pencil drawing with swirling text and patterns inside a wooden hand carved frame.

An Appeal To The Young After Kropotkin Maquette For A Thought Form, 2021 Colored pencil, charcoal, Xerox, and Time Life mailer on mat board, walnut from the Newport Mansions, cast white bronze, MDF 43 ¼ × 33 ¾ × 1 ⅝ in.

A graphite and colored pencil drawing with swirling text and patterns inside a wooden hand carved frame.

St. Michael of the Apocalypse Slaying The Instinctual Serpent, 2021 Colored pencil and charcoal on mat board, walnut from the Newport Mansions, cast white bronze, MDF 43 ¼ × 33 ¾ × 1 ⅝ in.

A small, vintage photograph of a building on fire housed within a hand carved wooden frame.

Continual Conflagration, 2021 Found c-print, carved walnut from the Newport Mansions, MDF 8 × 4 in.

In a thin wooden frame, a colorful drawing depicts a cityscape with yellow clouds in the sky and rainbow accents on the buildings in the foreground.

We'll Try, 2021 Charcoal and colored pencil on matte board, MDF, black walnut from the Newport Mansions 35 ¾ × 25 ½ × 1 ¾ in.

A large object resembling an organ rests in a gallery space. The piece is stained black and has numerous miniature bronze accents placed on top of its surface.

Support Structure / Ⓐrt Saves !, 2021 Charred 19th c. wood pump organ, cast white bronze, casting wax, OSB from Fall River, black iron, street sweeper bristles, thumbtacks, black walnut 61 × 49 × 23 in.

In a gallery space,

Arrows of Desire, Harry Gould Harvey IV & Faith Wilding, 2021 (Installation view) David Winton Bell Gallery, Brown University, Providence

Arrows of Desire, Harry Gould Harvey IV & Faith Wilding, 2021 (Installation view) David Winton Bell Gallery, Brown University, Providence

Arrows of Desire, Harry Gould Harvey IV & Faith Wilding, 2021 (Installation view) David Winton Bell Gallery, Brown University, Providence

Feral Furnace / Spectral Reality, 2021 Industrial space heaters, casting wax, cast white bronze, street sweeper bristles, lead pipe organ pipes, scrap metal from Whole Foods, candles, black walnut Dimensions variable

Arrows of Desire, Harry Gould Harvey IV & Faith Wilding (Installation view) David Winton Bell Gallery, Brown University, Providence

Give them Bread (After Emma Goldman), 2021 Preindustrial headboard, oxblood and milk paint, roses from the artist's mother's funeral, casting wax, formica from cocaine Sam's hideaway, MDF, cast white bronze, found photographs 67 × 48 ½ × 3 ½ in.

The Confusion of Tongues!, 2021 (Installation view) Bureau, New York

Black and white drawing framed in an ornate black frame on a wall. The greyscale drawing had a halo of clouds around the bottom left and upper and lower right, in the center is a ruin of an industrial building with many windows that appears to be glowing from inside. There is a circular arc of text along the top.

A Plastic Bag a Vulture a Phantom of Industry, 2021 Charred 18th century English Walnut, charred Black Walnut from The Newport Mansions, MDF, beeswax, colored pencil and charcoal on archival matboard 35 ¾ × 25 ½ × 1 ¾ in.

The Confusion of Tongues!, 2021 (Installation view) Bureau, New York

Large drawing framed with a charred black wood frame, which has turned wood and other embellishments. The drawing is predominantly black and red with a few hints of other colors such as blue and yellow. The drawing is organized along concentric interlocking circles, with pointed tangent lines creating steeple like forms which are shaded with a gradient of red. There is a large u shape at the top drawn in black which resembles a crescent moon, and several small black bird forms in silhouette. At center there is an interlocking knot and a wax heart surrounded by many shaded red and black cloud forms. Along the lines of the curves there are the words of a poem written in pencil.

Knot Ⓐ Line Left in the Sky of Where the Birds Had Flown, 2021 Charred 18th century English Walnut, Charred Black Walnut from The Newport Mansions, beeswax, MDF, colored pencil and charcoal on archival matboard 49 × 33 ¾ × 2 ⅛ in.

The Confusion of Tongues!, 2021 (Installation view) Bureau, New York

The Old Church Is in Need of Fumigation, 2021 Charred Old Growth Eastern White Pine floorboards from Fall River, Black Walnut from The Newport Mansions, Old Man's Beard, colored pencil on MDF, clay from Swans Island, steel, asbestos tile, beeswax, lead, mold 63 × 25 ¼ × 25 ¼ in.

Image of Harry Gould Harvey IV drawing on paper and framed in foraged walnut wood, depicting a diagrammatic drawing with text, thorns, and angels, with a relief made in tin of an angel sitting on top, orange rays radiating out from the angel.

Live Now Or Forever Hold Your Peace, 2020 Charcoal and colored pencil on paper, MDF, embossed pewter, Walnut from the Newport Mansions 30 × 15 ½ × 2 ½ in.

Image of three framed drawings, two small drawings flanking one larger drawing, all framed in wood and hanging on a white wall with a hallway on the left side of the image.

Coniunctio, Harry Gould Harvey IV & Kyung-Me, 2019 (Installation view) Bureau, New York

Image of Harry Gould Harvey IV drawing framed in foraged walnut wood, depicting circles of text and horn like shapes, in addition to piece of clear plexiglass in the shape of clouds in the corner of the frame, with pieces of carved walnut attached to the bottom and top of the frame.

Je t'aime, 2019 Pencil and charcoal on paper, acrylic, casting wax, MDF, walnut from the Newport Mansions 29 × 15 ⅛ × 2 in.

Image of Harry Gould Harvey IV drawing framed in foraged walnut wood, depicting circles of text and spires reaching upwards and downwards, in addition to piece of clear plexiglass in the shape of clouds in the corners of the frame, with pieces of carved walnut attached to the bottom of the frame.

Suburb of Eden, 2019 Charcoal and colored pencil on paper, acrylic, MDF, foraged Black Walnut from the Newport Mansions 15 ¾ × 9 ⅝ × 1 ¾ in.

Image of Harry Gould Harvey IV drawing framed in foraged walnut wood, depicting lines of text criss-crossing the drawing, including depictions of a peace sign, yin-yang, and crescent, in addition to a piece of clear plexiglass in the shape of clouds in the bottom corners of the frame, with pieces of carved walnut attached to the bottom of the frame.

War is Peace, 2019 Charcoal and colored pencil on paper, acrylic, MDF, foraged Black Walnut from the Newport Mansions 15 ¾ × 9 ⅝ × 1 ¾ in.

Coniunctio, Harry Gould Harvey IV & Kyung-Me, 2019 (Installation view) Bureau, New York

Apostle of Light, 2019 Charcoal and colored pencil on paper, acrylic, MDF, foraged Black Walnut from the Newport Mansions, White Oak from Prudence Island 14 × 9 ¾ × 1 ¾ in.

Image of Harry Gould Harvey IV drawing framed in foraged oak wood, depicting lines of text in an arch above a cloudy wash of yellow pigment, with a bullseye near the bottom of the drawing and religious symbols. A decorative red wax form with multicolored plexiglass rests on the top of the frame.

And Then All of a Sudden You Can See!, 2019 Colored pencil and charcoal on paper, casting wax, faux stained glass, MDF, foraged White Oak from Prudence Island 14 × 9 ¾ × 1 ¾ in.

Corner installation view of Harry Gould Harvey IV sculpture made of smaller red wax sculptures resting on a tiered wooden platform on top of a tulip table base, with one small bent wood sculpture hanging on the wall behind it.

Coniunctio, Harry Gould Harvey IV & Kyung-Me, 2019 (Installation view) Bureau, New York

Installation view of Harry Gould Harvey IV sculpture made of smaller red wax sculptures resting on a tiered wooden platform on top of a tulip table base.

Syzygy as Far as the I Can See, 2019 Casting wax, foraged Walnut from the Newport Mansions, walnut veneered MDF, old man's beard, forged clay from Swan's Island, formica from Cocaine Sam's Seaside Hideaway, aluminum, found candle, Art in America mailers, Newport Art Association mailer, faux Saarinen tulip table base 63 × 48 × 48 in.

Image of Harry Gould Harvey IV drawing framed in foraged walnut wood, depicting lines of text forming a simplified stick figure with a radiant sun as a head and clouds appearing behind it, with pieces of carved walnut attached to the top and bottom of the frame.

A Soul Half Through The Gate, 2019 Charcoal and colored pencil on paper, MDF, foraged Black Walnut from the Newport Mansions 21 × 15 ½ × 2 in.

Image of Harry Gould Harvey IV drawing framed in foraged walnut wood, depicting lines of text forming an image of a coiled snake, including depictions leaves, with decorative pieces of carved walnut attached to the top and bottom of the frame.

(A)lter for (A)dam, 2019 Charcoal and colored pencil on paper, MDF, foraged Black Walnut from the Newport Mansions 23 × 16 × 2 in.

Image of Harry Gould Harvey IV drawing framed in foraged walnut wood, depicting lines of text criss-crossing the drawing, including depictions leaves, with decorative pieces of carved walnut crosses and red plexiglass attached to the top and bottom of the frame.

They Shall Inherit The E'Art'h, 2019 Charcoal and colored pencil on paper, red acrylic, salvaged Zebra Wood 24 × 16 × 2 in.

Image of Harry Gould Harvey IV sculpture made from a found metal kerosene heater, with a walnut platform on top containing a small yellow sculpture and a tower like form made of metal with another tier of small sculptures on top.

Impossible Gospel The Yellow Lady Slipper, 2019 Salvaged Workspace Heater, Foraged Walnut, Scrap metal from Whole Foods, Glazed Ceramic and Colored Pencil on MDF 55 × 15 × 17 in.