Harry Gould Harvey IV
Large drawing framed with a charred black wood frame, which has turned wood and other embellishments. The drawing is predominantly black and red with a few hints of other colors such as blue and yellow. The drawing is organized along concentric interlocking circles, with pointed tangent lines creating steeple like forms which are shaded with a gradient of red. There is a large u shape at the top drawn in black which resembles a crescent moon, and several small black bird forms in silhouette. At center there is an interlocking knot and a wax heart surrounded by many shaded red and black cloud forms. Along the lines of the curves there are the words of a poem written in pencil.

Knot Ⓐ Line Left in the Sky of Where the Birds Had Flown, 2021 Charred 18th century English Walnut, Charred Black Walnut from The Newport Mansions, beeswax, MDF, colored pencil and charcoal on archival matboard 49 × 33 ¾ × 2 ⅛ in.

Black and white drawing framed in an ornate black frame on a wall. The greyscale drawing had a halo of clouds around the bottom left and upper and lower right, in the center is a ruin of an industrial building with many windows that appears to be glowing from inside. There is a circular arc of text along the top.

A Plastic Bag a Vulture a Phantom of Industry, 2021 Charred 18th century English Walnut, charred Black Walnut from The Newport Mansions, MDF, beeswax, colored pencil and charcoal on archival matboard 35 ¾ × 25 ½ × 1 ¾ in.

Image of Harry Gould Harvey IV drawing on paper and framed in foraged walnut wood, depicting a diagrammatic drawing with text, thorns, and angels, with a relief made in tin of an angel sitting on top, orange rays radiating out from the angel.

Live Now Or Forever Hold Your Peace, 2020 Charcoal and colored pencil on paper, MDF, embossed pewter, Walnut from the Newport Mansions 30 × 15 ½ × 2 ½ in.

Church Of Light The Eternal Song Of E’Art’h, 2020
Black walnut from the Newport Mansions, Carved Acrylic, MDF, charcoal and colored pencil on paper
15 ¾ × 9 ½ × 2 in.

Church Of Light The Eternal Song Of E’Art’h, 2020 Black walnut from the Newport Mansions, Carved Acrylic, MDF, charcoal and colored pencil on paper 15 ¾ × 9 ½ × 2 in.

Image of Harry Gould Harvey IV found photograph framed in foraged walnut wood, depicting a spire of a church being lowered on top of the base of the church by a crane, the frame having two pieces of carved walnut attached to the face obscuring the image.

And The Steeples Shall Fall But The Light Will Be Shining At The End Of It All, 2020 Found silver gelatin print dated 1952, Carved acrylic, Black walnut from the Newport Mansions, and MDF 15 × 9 × 2 in.

Image of three framed drawings, two small drawings flanking one larger drawing, all framed in wood and hanging on a white wall with a hallway on the left side of the image.

Coniunctio, Harry Gould Harvey IV & Kyung-Me, 2019 (Installation view) Bureau, New York

Image of Harry Gould Harvey IV drawing framed in foraged walnut wood, depicting circles of text and horn like shapes, in addition to piece of clear plexiglass in the shape of clouds in the corner of the frame, with pieces of carved walnut attached to the bottom and top of the frame.

Je t'aime, 2019 Pencil and charcoal on paper, acrylic, casting wax, MDF, walnut from the Newport Mansions 29 × 15 ⅛ × 2 in.

Image of Harry Gould Harvey IV drawing framed in foraged walnut wood, depicting circles of text and spires reaching upwards and downwards, in addition to piece of clear plexiglass in the shape of clouds in the corners of the frame, with pieces of carved walnut attached to the bottom of the frame.

Suburb of Eden, 2019 Charcoal and colored pencil on paper, acrylic, MDF, foraged Black Walnut from the Newport Mansions 15 ¾ × 9 ⅝ × 1 ¾ in.

Image of Harry Gould Harvey IV drawing framed in foraged walnut wood, depicting lines of text criss-crossing the drawing, including depictions of a peace sign, yin-yang, and crescent, in addition to a piece of clear plexiglass in the shape of clouds in the bottom corners of the frame, with pieces of carved walnut attached to the bottom of the frame.

War is Peace, 2019 Charcoal and colored pencil on paper, acrylic, MDF, foraged Black Walnut from the Newport Mansions 15 ¾ × 9 ⅝ × 1 ¾ in.

Image of Harry Gould Harvey IV drawing framed in foraged oak wood, depicting lines of text in an arch above a cloudy wash of yellow pigment, with a bullseye near the bottom of the drawing and religious symbols. A decorative red wax form with multicolored plexiglass rests on the top of the frame.

And Then All of a Sudden You Can See!, 2019 Colored pencil and charcoal on paper, casting wax, faux stained glass, MDF, foraged White Oak from Prudence Island 14 × 9 ¾ × 1 ¾ in.

Corner installation view of Harry Gould Harvey IV sculpture made of smaller red wax sculptures resting on a tiered wooden platform on top of a tulip table base, with one small bent wood sculpture hanging on the wall behind it.
Installation view of Harry Gould Harvey IV sculpture made of smaller red wax sculptures resting on a tiered wooden platform on top of a tulip table base.

Syzygy as Far as the I Can See, 2019 Casting wax, foraged Walnut from the Newport Mansions, walnut veneered MDF, old man's beard, forged clay from Swan's Island, formica from Cocaine Sam's Seaside Hideaway, aluminum, found candle, Art in America mailers, Newport Art Association mailer, faux Saarinen tulip table base 63 × 48 × 48 in.

Image of Harry Gould Harvey IV drawing framed in foraged walnut wood, depicting lines of text forming a simplified stick figure with a radiant sun as a head and clouds appearing behind it, with pieces of carved walnut attached to the top and bottom of the frame.

A Soul Half Through The Gate, 2019 Charcoal and colored pencil on paper, MDF, foraged Black Walnut from the Newport Mansions 21 × 15 ½ × 2 in.

Image of Harry Gould Harvey IV drawing framed in foraged walnut wood, depicting lines of text forming an image of a coiled snake, including depictions leaves, with decorative pieces of carved walnut attached to the top and bottom of the frame.

(A)lter for (A)dam, 2019 Charcoal and colored pencil on paper, MDF, foraged Black Walnut from the Newport Mansions 23 × 16 × 2 in.

Image of Harry Gould Harvey IV drawing framed in foraged walnut wood, depicting lines of text criss-crossing the drawing, including depictions leaves, with decorative pieces of carved walnut crosses and red plexiglass attached to the top and bottom of the frame.

They Shall Inherit The E'Art'h, 2019 Charcoal and colored pencil on paper, red acrylic, salvaged Zebra Wood 24 × 16 × 2 in.

Image of Harry Gould Harvey IV sculpture made from a found metal kerosene heater, with a walnut platform on top containing a small yellow sculpture and a tower like form made of metal with another tier of small sculptures on top.

Impossible Gospel The Yellow Lady Slipper, 2019 Salvaged Workspace Heater, Foraged Walnut, Scrap metal from Whole Foods, Glazed Ceramic and Colored Pencil on MDF 55 × 15 × 17 in.

Installation view of Prudence, Patience, Hope & Despair, 2018, at Motel, showing six wooden sculptures on white plinths and four framed drawings hanging on the walls.
Installation view of Prudence, Patience, Hope & Despair, 2018, at Motel, showing four wooden sculptures on white plinths and two framed drawings hanging on the walls.

Prudence, Patience, Hope & Despair, 2018 (Installation view) Motel, Brooklyn

Image of Harry Gould Harvey IV drawing framed in foraged walnut wood, showing text inside boxes and a line forming an infinity symbol, with decorative pieces of carved walnut attached to the top and bottom of the frame by nails.

My Ego, a Gibbering Phantom, 2018 Charcoal on paper, MDF and foraged walnut from the Newport Mansions 14 × 6 ½ × 1 ½ in.