Exhibition: Condo London 2018

Erica Baum, Victoria Colmegna, Vivienne Griffin, Juan Antonio Olivares, Joanna Piotrowska, Mark Rodriguez, Libby Rothfeld, Edward Thomasson Condo London: Southard Reid hosting Bureau and Park View January 13 - February 24 2018

🔍💎💡🔮🔎 Life Coaching with Vivienne Griffin No Grit, No Pearl Life Coaching (Psychomagic, metacognition, mesearch)

Installation view of a gallery with wooden floors and a slanted ceiling, partial view of a window on the left. On the left wall next to the window is a plastic bag with liquid pinned to the wall. On the right wall is a black and white photograph in a black frame and white matte, of a carved school desk - an anarchy symbol is visible. On the floor are two black speakers with pearls inside the cones of the speakers and black cables trailing off to the right.
Black and white photograph of a section of a carved wooden school desk top. Various words are carved and drawn into it. A large anarchy symbol is visible on the right hand side with a snaking knot pattern coming out of the lines of the letter A. We see a canadian flag to the top left and the words 'God Lives in Texas' and 'Ali wus hēr '84' on the bottom left.

Erica Baum, Untitled (Octopus), (Desktop), 1994, Gelatin silver print

Birds eye view of two black speakers on a blond wooden floor with black cables trailing off out of the frame on the right. In one of the speakers is black sand in the cone of the speaker and one has white pearls inside.

Vivienne Griffin, No Grit No Pearl, 2018, Powered speakers, latex, freshwater pearls, black sand, plastic pill cases, MP3 player, sound

Installation view of a gallery with a blonde wood floor and a slanted ceiling. At left is a color photograph of a duck on the side of a pond and next to it are two cast masks of humanoid man. To the right is a video screen showing a woman in a blue pool of water. The video screen is installed leaning on the floor and wall in a pile of sand surrounded by scant dune grass.
Large color photograph mounted to the wall like a poster showing a brown and white duck with a blue-green head sitting on the side of a pond. Next to the poster aligned with the top of the image are two cast bas-relief sculptures of the heads of two humanoid faces.

Libby Rothfeld, Duck #2 (Two Masks), 2018, Vinyl print, ultracal cast from ceramic

Installation view of a front door painted white and photographs installed to the right and left of the door. To the left is an abstract color photograph, framed and matted in white, with predominantly tan, yellow and black colors. The image has many vertical lines and on the right hand side we seen an interior with chair. To the left are three black and white photos, two in a pair, showing people in highly textured interior spaces in strange poses and one above to the right shows two hands of a white person on gripping the white forearm of another person.
Abstract color photograph in tones of tan, yellow, brown and black. There are many vertical lines, slivers of indiscernible images between each one. To the right side is revealed a narrow image of an antique wooden chair within a highly textured living room.

Erica Baum, Interior Chair, (Naked Eye), 2010, Archival pigment print