Christine Rebet
b. Lyon, France Lives and works in New York, NY & Paris, France
EDUCATION
| 2011 | MFA, Columbia University, New York, NY |
| 1996 | BFA, Central St. Martins, School of Art and Design, London, UK |
| 1991 | Art Academy, Venice, Italy |
SOLO & TWO PERSON EXHIBITIONS
| 2026 | Sound of Time, Des Moines Art Center, Des Moines, IA |
| The Fall: Chosen Scenes, Au Passage, Paris, France | |
| 2023 | Relics, op.cit., Mexico City, Mexico |
| 2021 | Nirvana’s Chronicles, Figura Avulsa, Lisbon, Portugal |
| Escapologie, Musée d'art contemporain de Lyon, Lyon, France | |
| 2020 | Time Levitation, Parasol Unit, London, United Kingdom |
| 2020 | Shadows of Family Trees, Gregor Podnar, Berlin, Germany |
| 2018 | Thunderbird, Bureau, New York, NY |
| 2015 | Paysage Fautif, Bureau, New York, NY |
| 2014 | Melli Ink / Christine Rebet, Grieder Contemporary, Zurich, Switzerland |
| Meltingsun, AlbumArte, Rome, Italy | |
| 2011 | The Square, Marvelli Gallery Project Room, New York, NY |
| 2009 | The Black Cabinet, Le Magasin, Grenoble, France |
| 2008 | Chasers, Château des Adhémars, Montélimar, France |
| 2007 | Tiger Escape, Galerie Kamel Mennour, Paris, France |
| 2005 | Brand Band News, Art Basel, Statements Section, Basel, Swtizerland |
| The Industry is Finished, Galerie Kamel Mennour, Paris, France | |
| When Pigs Fly, Taka Ishii Gallery, Tokyo, Japan | |
| 2004 | Waitress Announcement, Galerija Gregor Podnar, Kranj, Slovenia |
| Robin Hood, Mr. Cannon Projects, Berlin, Germany | |
| See You Later, Kuttner Siebert Gallery, Berlin, Germany |
GROUP EXHIBITIONS
| 2026 | Personal Stories / Political Realities, Museum of Contemporary Art in Belgrade, Belgrade, Serbia |
| L’exposition Anima 2,by IMAGESPASSAGES, L'Abbaye Espace d'Art Contemporain, Annecy, France | |
| 2025 | Nouvelles Acquisitions, Frac Picardie, Amiens, France |
| Du Jardin des Simples à l'école des métamorphoses, Galerie de l'IESA/Le Delta, Paris, France | |
| Borders are nocturnal animals, KADIST in collaboration with CAC Vilnius, Lithuania | |
| Fifteen-Year Anniversary Exhibition, Bureau, New York, NY | |
| Ce que l’horizon promet, Fondation groupe EDF, Paris, France | |
| 2024 | Don’t ask where we're going, curated by Gabriela Gantenbein,Gregor Podnar, Vienna, Austria |
| 2024 | Connecter les mondes, Musée des Beaux-Arts de Lyon, Lyon, France |
| Manif d’art – The Quebec City Biennial, The Manif d’art organization, Québec, Canada | |
| 2023 | Songs from the Shore, Galerie Imane Farès, Paris, France |
| 2022 | Fantasmagoriana, Lofoten International Art Festival, Lofoten, Norway |
| Female Voices, Grieder Contemporary, Küsnacht, Switzerland | |
| 2021 | Map ≠ Territory, Green Art Gallery, Dubai, United Arab Emirates |
| DRAWING OUT, Bridget de León, Bath, United Kingdom | |
| Tropical Lab, Institute of Contemporary Arts, Singapore | |
| untitled Arrangement, Bureau, New York, NY | |
| The Drawer, Librairie Yvon Lambert, Paris, France | |
| 51e édition du Théâtre du Fort Antoine, Monaco, France | |
| Yateem Center, Manama, Bahrain | |
| 2020 | 5 Artists 5 Walls, Grieder Contemporary, Zurich, Switzerland |
| Until tomorrow: Ten Years of Bureau, Bureau, New York, NY | |
| 2019 | Animated Perspectives, French Institute Alliance Française, New York, NY |
| 2016 | The First Horizons of Juno, MASS Gallery, Austin, TX |
| DISSENT: what they fear is the light, LACE, Los Angeles, CA | |
| 2015 | The Closer I Get To The End The More I Rewrite The Beginning, Human Resources, Los Angeles, |
| Move On...! 100 Years of Animation Art, Kunsthal KAdE, Amersfoort, Netherlands | |
| It Rained Again, Bureau, New York, NY | |
| 2014 | Anniversary, Invaliden Eins Galerie, Berlin |
| 2013 | The Hollow Center, Smack Mellon, Brooklyn, NY |
| 2012 | Nothing is Forgotten, Some Things Considered, UKS, Oslo, Norway |
| Mannered Attitude, Soloway Gallery, New York, NY | |
| You never look at me from the place from which I see you, Sculpture Center, Long Island City, NY | |
| Brucennial 2012, New York, NY | |
| Tender is the Night, Marine Contemporary, New York, NY | |
| 2011 | MFA Thesis Exhibition, Fisher Landau Center for Art, Long Island City, NY |
| Tropical Lab, Institute of Contemporary Art, Singapore | |
| 2010 | The Dissolve, SITE, Santa Fe, NM |
| Brucennial 2010: Miseducation, New York, NY | |
| Habitat, 21st twenty first Gallery, New York, NY | |
| 2009 | Berlin-Paris, Wentrup, Berlin, Germany |
| Nouveau Parcours du Musée, M.A.C./V.A.L., Vitry-sur-Seine, France | |
| On From Here, Guild and Greyshkul Gallery, New York, NY | |
| Comic Strip, Musée de Sérignan, France | |
| 2008 | 8 1/2 x 11 / A4, James Fuentes, New York, NY |
| Rendezvous 08, Shanghai Art Museum, China | |
| Momentary Momentum, Kettle Yard, Cambridge, UK | |
| 2007 | Momentary Momentum, Parasol Unit, London, UK |
| Bitte Zeichen mir ein Shaft, Ittinger Kunst Museum, Switzerland | |
| Dessins en mouvement, Musée Contemporain du Val de Marne, Vitry-sur-Seine, France | |
| Rendez-vous 07, Musée d'Art Contemporain, Lyon, France | |
| In Wonderlands, Scottsdale Museum of Contemporary Art, Scottsdale, AZ | |
| French Kissin' in the USA, Moore Space, Miami, FL |
PERFORMANCES
| 2026 | The Fall featuring Simone Harris, Des Moines Art Center, Des Moines, IA |
| 2014 | Appendix One: Methods of Nonviolent Action, Smack Mellon, Brooklyn, NY |
| Poison Lecture, International Spy Museum, Washington DC | |
| Appendix One: Methods of Nonviolent Action, UKS, Oslo, Norway | |
| 2011 | Appendix One: Methods of Nonviolent Action, Fisher Landau Center for Art, Long Island City, NY |
| Poison Lecture, Cartier Foundation, Paris, France | |
| 2010 | Poison Lecture, Edifying, X-Initiative, New York, NY |
| 2009 | Poison Lecture, Future Art Research, ASU Fringe Festival, Phoenix, AZ |
SCREENINGS
| 2026 | The Fall, Des Moines Art Center, Des Moines, IA |
| In the Soldier's Head, The Trace of the Land, Wendy's Subway with Anthology Film Archives, New York, NY | |
| Multi film screening presented by IMAGESPASSAGES at Théâtre de l'Échange, Annecy, France | |
| 2025 | Series of film screenings, op.cit., Mexico City, Mexico |
| 2024 | Otolithe, Muharraq Nights, Alliance Française Bahrain, Muharraq, Bahrain |
| 2022 | Otolithe, Muharraq Nights, Alliance Française Bahrain, Muharraq, Bahrain |
| Lick, Stick, Leak, screening program organized by JOAN, 2220 Arts + Archives, Los Angeles, CA | |
| Metamorphoses, Anthology Film Archives, New York, NY | |
| Otolithe, Lofoten International Art Festival, Lofoten, Norway | |
| The Square, Fata Morgana Festival, curated by Béatrice Gross, Jeu de Paume, Paris, France | |
| 2023 | Thunderbird, op.cit., Mexico City, Mexico |
| 2020 | In the Soldier’s Head, Paréidolie, Marseille, France |
| Thunderbird, Southeastern Center for Contemporary Art, Winston-Salem, NC | |
| 2019 | Breathe in Breathe out, with Emanuele Coccia, Fondation Cartier pour l’art contemporain, Paris, France |
| Collective Mythologies, Art Basel, Basel, Switzerland | |
| UbuWeb cinema program in HILLARY: The Hillary Clinton Emails, an exhibition by Kenneth Goldsmith, organized by Francesco Urbano Ragazzi, Despar Teatro Italia, Venice, Italy | |
| Series of film screenings, Nanterre-Amandiers, Centre Dramatique National, Nanterre, France | |
| 2018 | Series of film screenings, Nanterre-Amandiers, Centre Dramatique National, Nanterre, France |
| I can call this progress to halt, Sursock Museum, Beirut, Lebanon | |
| Cinematheque Robert-Lynen, Paris, France | |
| Silencio, Paris, France | |
| 2017 | Kochi-Muziris Biennale, Kerala, India |
| 2016 | Kassel Documentary Film and Video Festival, Kassel, Germany |
| Tofifest International Film Festival, Toruń, Poland | |
| Hong Kong Film Festival, Hong Kong | |
| International Filmfestspiele, Berlin, Germany | |
| 2014 | Lullaby, Hollywood Hookah, Los Angeles, CA |
| Sound Design for Future Film, Treize, Paris, France | |
| 2011 | Animation Screening, Fruehsorge Contemporary Drawing, Berlin, Germany |
| 2010 | Animated Screen, Husets Biograf, Copenhagen, Denmark |
| For Real - 28 Utopian Projections in Public Space, Maastricht, Netherlands | |
| Decalogue: Films you can count on two hand, Winkleman Gallery, New York, NY | |
| 2008 | Berlinale Shorts Competition, Berlinale Film Festival, Berlin, Germany |
| Sound Design for Future Film, Moderna Museet, Stockholm, Sweden | |
| 2004-2007 | Trip to the world of Drawing Animation, Tokyo/Yokohama/Kyoto/Nigata/Nagoya/ Fukuoka, Japan; |
| Version Animee, BAC/Centre de l’Image Contemporaine, Switzerland 2009; Zurich Film Festival, | |
| Zurich, Switzerland; Berlinale Film Festival, Berlin, Germany; Anima’t, International Fantastic Film | |
| Festival of Catalonia, Spain; Oberhausen Film Festival, Germany; Jakarta International Film Festival, Indonesia; London Film festival, London, UK |
BIBLIOGRAPHY & PUBLICATIONS
| 2023 | Moss, Alison. “Rebet et Benchamma lauréats des résidences Miyu Frac Picardie.” Le Quotidien de l’Art, September 28, 2023. |
| Escapologie, Musée d’Art Contemporain de Lyon, Milan: Silvana Editoriale, 2023. | |
| 2020 | Davies, Lillian. “Christine Rebet.” Artforum, July/August 2020. |
| Gross, Béatrice. “Métamporphoses de l’animation.” The Art Newspaper Édition Française, March 2020. | |
| Waugh, Rosemary. “Christine Rebet: Time Levitation.” Time Out London, February 4, 2020. | |
| Simpson, Veronica. “Christine Rebet – interview: Animation is perfect for critique: it is a minor medium, it’s not film; like drawing is not painting.” StudioInternational.com, February 2, 2020. | |
| Gale, Sammi. “Breathe in. Breathe out. – Christine Rebet at Parasol Unit.” WhyNow, January 31, 2020. | |
| McAloon, Jonathan. “Hand-Drawn Animation Is Pure Suffering, So Why Still Do It?” Elephant Magazine, January 28, 2020. | |
| Wullschläger, Jackie. “Christine Rebet.” Financial Times, January 18, 2020. | |
| 2019 | Daumas, Cécile. “Il y a du végétal dans l’humain.” Libération, October 29, 2019. |
| Gross, Béatrice. “Les Artistes face à l'archéologie en péril.” The Art Newspaper Édition Française, April 2019. | |
| Wurtz, B. “Degrees of Mystery: B. Wurtz on Exhibitions Around New York.” ARTnews, February 2019. | |
| Campell, Andrianna and Joanna Fiduccia. eds. “Fold Image.” In apricota, Issue 2, New York: Secretary Press, 2019. | |
| 2018 | Heinrich, Will. “Christine Rebet.” The New York Times, December 5, 2018. |
| Scott, Andrea K. “Christine Rebet.” The New Yorker, November 30, 2018. | |
| 2017 | Rey, Sébastien. ed. “The Awakening of the Sumerian Tempestbird.” In For the Gods of Girsu: City-State Formation in Ancient Sumer. Oxford: Archaeopress, 2017. |
| “Drawing Connections: Basma Alsharif in conversation with Christine Rebet." Objektiv Magazine, May 20, 2017. | |
| 2016 | Rebet, Christine. “Postcards to Jean-Jacques Lévêque.” Peeping Tom's Digest, 2016. |
| Tarmy, James. “Eight Artworks You Should Buy at New York’s Armory Arts Week.” Bloomberg Business, March 4, 2016. | |
| 2015 | “The Closer I Get to the End the More I Rewrite the Beginning.” Terremoto, December 20, 2015. |
| Krug, Simone.“The Closer I Get to the End the More I Rewrite the Beginning at Human Resources.” Carla, December 2, 2015. | |
| “Christine Rebet as told to Joanna Fiduccia, 500 Words.” Artforum.com, June 8, 2015. | |
| Le Melle, Taylor. “Christine Rebet: Paysage Fautif.” thisistomorrow.com, June 5, 2015. | |
| “Christine Rebet.” The Drawer. Spring 2015. | |
| 2014 | “Christine Rebet ‘Meltingsun’ at AlbumArte, Rome.” Moussemagazine.com, 2014. |
| 2010 | Belasco, David, and Sarah Lewis, eds. The Dissolve: SITE Santa Fe's Eighth International Biennial. Santa Fe: SITE, 2010. |
| Frank, Peter. “Blague d’Art: Moving Pictures, Frozen Music.” The Huffington Post, October 18, 2010. | |
| Bui, Phong. “Site Santa Fe Eighth International Biennial: The Dissolve.” The Brooklyn Rail, September 3, 2010. | |
| Storr, Robert. “Moving Images.” Frieze, September 2010. | |
| 2007 | Duponchelle, Valérie. “Miami: l’heure de la jeune garde français.” Le Figaro, December 8, 2007. |
| Adam, Georgina. “France: the new wave reaches Miami Beach.” The Art Newspaper, Dec. 6, 2007. | |
| “Les Français séduisent Miami.” Le Figaro, December 2007. | |
| Davies, Lillian. “Christine Rebet: Galerie Kamel Mennour.” Artforum, April 2007. | |
| Ardenne, Paul. “Christine Rebet / Peter Grasner.” Art Press, February 2007. | |
| Wylie, Erin. “Slanted and Enchanted.” Nylon Magazine, January 2007. | |
| 2006 | "Star’s Life." CREAM, 2006. |
| Matsui, Midori. "Invitation." Japan, 2006. | |
| 2005 | Matsui, Midori. BT(Bijutsu-techo), Japan, 2005. |
| Demir, Anaid. “Cruelles aquarelles.” Le Journal des Arts, June 23, 2005. | |
| Studio Voice, Japan | |
| 2004 | Scharrer, Eva. “Critics’ Picks: Christine Rebet.” Artforum.com, January 2004. |
| 2003 | Hoffmann, Jens, and Arno Moria. Christine Rebet: Game Over. Paris: A Huge Book, 2003. |
COLLECTIONS Centre Georges Pompidou, Paris, France KADIST, Paris, France; San Francisco, CA Musée d’Art Contemporain du Val-de-Marne, Vitry-sur-Seine, France