Constance DeJong

Relatives, 1988 Constance DeJong & Tony Oursler (Performance documentation) The Kitchen, New York, NY, 2018

Caroline Herschel, I suspect it to be a comet, 2018 Chalk on paper 16 × 14.5 inches

PRECIPITATORs, 2017 Chalk on paper 29.625 × 41.5 inches

Stories: Constance DeJong and Philip-Lorca diCorcia, 2018 (Installation view) McEvoy Foundation for the Arts, San Francisco

Green Crosley (Collection: NightWalking), 2018 Re-engineered radio with amplitude-sensitive LEDs, audio 6.5 × 12.5 × 6.75 inches

Modern Love, 2017 (Performance documentation) The Kitchen, New York, NY

Blue Meteor, 2015-2016 Re-engineered radio with amplitude-sensitive LEDs, audio 5.25 x 9.5 x 5.5 inches

Wakemaster Jewel, 2015 Re-engineered radio with amplitude-sensitive LEDs, audio 12 x 5 x 7 inches

Image of a sound-proofed room walled with egg crate foam: a red headed woman wearing black sits on a stool next to a computer on a tall table. She is wearing a small microphone and is pointing her right finger out of the frame.

Speakchamber, 2013 (Performance documentation) Bureau, New York, NY

Scry Agency, 2001 (Invitation) Thread Waxing Space, New York. NY

Speaking of the River, 2000 Infrared sensor benches, audio, sound (Commissioned by Public Art Development Trust) Canary Wharf, River Thames, London, United Kingdom

Ally, 1989 Messages to the Public, The Public Art Fund, Times Square, New York, NY

Relatives, 1988 Constance DeJong & Tony Oursler (Performance documentation) The Kitchen, New York, NY, 1989

Constance DeJong & Tony Oursler Joyride (TM), 1988 14:23 min, color, sound