JM Howey
Oil on canvas painting depicting a witchy person seated in front of a window, hands emitting lightning bolts, the person's dress has text on it that says "Isolation breeds negativity" and outside of the window is a nighttime city scene with a large full moon.

Personal Processing, 2018 Acrylic and oil on canvas 140 × 115 cm

A custom designed and printed fabric scrap, attached to the wall horizontally, with a cut piece of fabric draping down and touching the ground.

Remainder 4 (Le Sac) Splinter 16, 17, 18, 19 & 20, 2018 Print on textile, 5 wooden sticks and zippers Dimensions variable

Installation view of Jaya Howey exhibition at Armada, Milan with a horizontal custom designed fabric swatch pinned to the wall allowing for some draping and a long wooden bench with eight legs and two custom fabric rectangular pillows on top.

Splendor in the Commons, 2017 (Installation view) Armada, Milan

Installation view of Jaya Howey exhibition at Bureau, New York with a horizontal custom designed fabric swatch pinned to the wall behind a six legged long wooden bench with an array of rectangular pillows on top. There are two text paintings hung on the wall next to it.

Edifying Lines for Sensitive Readers, 2016 (Installation view) Bureau, New York

An oil on canvas painting depicting a graduate art student's rubric with guidelines for grading.

AR341 Rubrics, 2016 Oil on canvas 115 x 90 cm

An oil on canvas painting depicting a text giving an introduction to a graduate arts seminar course.

AR341 Introduction, 2016 Oil on canvas 115 x 90 cm

An oil on canvas painting depicting a graduate arts seminar course schedule week by week.

AR341 Schedule 1, 2016 Oil on canvas 115 x 90 cm

Installation view of Jaya Howey exhibition at Bureau, New York with a custom designed fabric swatch pinned to the wall behind a six legged long wooden bench with an array of rectangular pillows on top and on the floor.

Seating/Arrangement #3, 2016 Wood, textile, foam, zippers 148.59 × 231.14 × 34.29 cm

An oil on canvas painting depicting a person facing away from the viewer with a reaper cutting a field of wheat. There is a spiderweb in the top left corner and a oversized snail in the bottom left.

Networked Narrative, 2016 Oil on canvas 115 x 90 cm

Oil on canvas painting in a ceramic frame depicting an NPR mug with flowers in it, an arm with a WNYC tote bag, a fish net with fish, people walking in a parade, a knife, belt, and a podium with first through fourth place.

Pedestrian Narrative, 2015 Acrylic and oil on canvas, ceramic, epoxy with Frame Work 8: 119 x 93 cm

Image of an oil on canvas painting with a bat holding a lacrosse stick that says "Give Up," two fingers with a wedding ring on it, curtains and a demon, a daily planner with a person sitting at a desk, and finally a series of houses on fire.

Artist's Narrative, 2015 Acrylic and oil on canvas 115 x 90 cm

Image of an oil on canvas painting depicting an owl flying kites, someone stealing oil paints, a dolphin with human legs, an umbrella in an artist's studio, and a letter and envelope.

Misappropriation Narrative, 2015 Acrylic and oil on canvas 115 x 90 cm

Image of an oil on canvas painting depicting an angry person at a desk, a candelabra, a studio with many assistants working on multiple paintings, the NYFA logo.

Opportunity Narrative, 2015 Acrylic and oil on canvas 115 x 90 cm

Image of an oil on canvas painting depicting outlines of the following objects: umbrella, candelabra, puppet show, kites, chess piece, dolphin with human legs, studio image.

Supplemental Narrative 1, 2015 Acrylic and oil on canvas 115 x 180 cm

Image of an oil on canvas painting depicting a number of objects: knife, saw, comb, key, chains, bike lock, and an estate with an ornate garden.

Academic Narrative, 2014 Acrylic and oil on canvas 115 x 90 cm

Image of an oil on canvas painting depicting a number of objects floating on a white background including: towels on a towel rack, a chess grid, scales of justice, a hand holding an iPhone and a mirror.

Application Narrative, 2014 Acrylic and oil on canvas 115 x 90 cm

Installation view of a Jaya Howey exhibition at Bureau New York with two paintings and one ceramic frame work hanging on the walls.

Note To Self, 2014 (Installation view) Bureau, New York

Oil on canvas painting depicting a scene with a headless snake, a smiling cartoon noose, falling and broken bottles and glasses of wine, and a person in a trench coat leaning against a wall smoking a pipe holding a skull in their hands.

End Narrative, 2014 Oil and acrylic on canvas 115 x 90 cm

Oil on canvas painting depicting half and whole pomegranates, some in silhouette, dripping juice and expelling seeds.

Profuse Respite, 2014 Oil and acrylic on canvas 115 x 90 cm

Installation view of a Jaya Howey exhibition at Bureau New York with five paintings hanging on the walls.

Note To Self, 2014 (Installation view) Bureau, New York

Oil on canvas painting in a ceramic frame depicting a large format digital printer in a studio, a circular maze like board game, and a person gleefully carving into their arm with a knife.

Syntax Narrative, 2014 Oil and acrylic on canvas 119 x 94 cm

Oil on canvas painting depicting a pattern of black triangles, swirls, and grapes.

Pastoral Respite, 2013 Oil and acrylic on canvas 115 x 90 cm

Beset Respite, 2013
Acrylic and oil on canvas
45 ¼ × 35 ⅜ in.

Beset Respite, 2013 Acrylic and oil on canvas 45 ¼ × 35 ⅜ in.