Julia Rommel
A large abstract painting dominated by two large triangles. The dominant forms are surrounded by other geometric blocks of color. The primary colors are shades of dark-blue and pink. There are areas of raw canvas on the right side of the composition. The paint is thickly applied in areas and rough.

Private Drive, 2020 Oil on linen, collage on wood stretchers 77 ½ × 105 in.

A large abstract painting consisting primarily of three dominant rectangular blocks of color. The most striking colors are a dark-blue verging on black, multiple shades of light blue, and white. The blocks of color are separated by creases or folds in the canvas.

Avalanche, 2019 Oil on linen 77 × 81 in.

A large abstract painting consisting of several isolated rectangular forms separated by folds or creases in the canvas. The dominant colors are shades of pink, dark-blue, green, and white. The paint is thickly applied and rough.

41 First Dates, 2019 Oil on linen 84 ½ × 65 in.

A large abstract painting consisting of numerous rectangular forms isolated by folds or creases in the canvas. The dominant colors are orange, pink and green. The paint is thick and rough.

Volvo 240, 2019 Oil on linen 83 ½ × 63 ½ in.

A large, vertical abstract painting with three prominently isolated rectangular blocks of color. The dominant colors are shades of pale-purple and a warm white. There is a partially border painted in greens and pinks. The paint is thick and rough.

Great White Shark, 2019 Oil on linen 86 × 59 ½ in.

In a gallery space, three large abstract paintings are hung evenly spaced apart. The paintings consistent of dominant, overlapping shapes of color. The shapes are mostly rectangular. The dominant colors are shades of pink, dark blue, orange, green, and pale purples.

Candy Jail, 2019 (Installation view) Bureau, New York

An abstract painting consisting of four dominant and separated blocks of color. The rectangular shapes are separated by creases or folds in the canvas. The most striking colors are shades of blue, green, red, and pink. The paint is thick.

Suburban Kids, 2018 Oil on linen 39 × 31 in.

An abstract painting consisting primarily of a rectangular block of dark-blue paint. There are stripes of roughly painted pink and aqua paint. There is a dark black strip along the right edge. The paint is thick.

Floater, 2018 Oil on linen 21 × 19 in.

Photo of the front gallery, straight on, showing a large abstract painting on the center wall. The painting has a central light blue rectangle, with a bright, thick honey yellow strip down the middle to the left side. The edges are painted roughly in light blues, turquoise, more yellow, brown and black.

Man Alive, 2016 (Installation view) Bureau, New York

Large abstract painting in tones of light blue and aqua. There is a central shape that looks like a backwards uppercase letter B, in a light blue tone with a bit of green, and beside it many wide, irregular stripes in varying tones of sky blue. There is a dark blue stripe at the top, the rest of the painting is quite light in tone.

Electric Blanket, 2016 Oil on linen 77 x 77 in.

A large, horizontal dark blue/black painting with stripes of white, dark turquoise and light blue on the edges. Some elongated triangular shapes appear at top and right and along the bottom, the result from folding the canvas.

The Unbelievers, 2016, Oil on linen 71 ½ × 106 ⅝ in.

A large abstract painting consisting of several isolated geometric forms with a dominant rectangle in the middle. The painting is mostly orange with a range of brown and grey shades. The paint is thick and rough.

Punkin Chunkin (Hydraulics), 2016 Oil on linen 77.5 x 78.75 in.

An abstract painting with several irregular blocks of isolated colors in several shades of blue and green. The paint is thick and rough.

Our Car, 2015 Oil on linen 20 1/4 x 16 3/4 in.

Julia Rommel painting with a rectangular off-white center with rough pink and black lines on the sides.

Three Little Babes, 2014 Oil on linen 59 3/4 x 68 1/2 in.

Lilac colored rectangular monochrome painting by Julia Rommel with rough edges.

Eraserhead, 2014 Oil on linen 64 ½ × 59 ½ in.

View of gallery, a large blue-black monochrome painting with blue stripes around the edge and pink in the corners, to the right a white/grey monochrome painting with black and grey edges.

The Little Match Stick, 2014 (Installation view) Bureau, New York

Large off-white rectangular painting with grey and black edges.

Around Woman, 2013 Oil on linen 77 3/4 x 61 in.

An abstract painting with a dark-blue center framed by a purple border. The canvas is thick and creased along the edges.

Edward, 2013 Oil on linen 13 1/2 x 11 in.

A small abstract gray painting. The painting's surface is rough with numerous scratch marks consistent throughout.

Cat Eyes, 2012 Graphite, oil, and beeswax on linen 11 1/2 x 9 in.

In a small gallery space, five small abstract paintings are hung evenly spaced apart. The floor of the room is  a dark gray with a fluorescent light hanging in the center of the room. Three of the paintings are monochromes painted in a dark-gray verging on black. One of the paintings is a red monochrome. The painting on the center back wall has a white background with a dark-green abstract form in the center.

Delaware, 2012 (Installation view) Bureau, New York

An abstract painting. A strip of raw linen runs from top to bottom along the left edge. The rest of the painting is covered in a thick layer of black paint. There are some wear marks throughout the surface of the painting.

Panther no Pants, 2010 Oil on linen 10 x 9 in.

A monochrome gray abstract painting. The surface of the painting is rough. Along the left edge there is a crease running from the top to bottom of the painting.

Delaware, 2010 Oil on linen 9 x 8 in.

A monochromatic black painting. The surface of the painting is thick and rough. The canvas has an irregular edge.

Kathleen M. Rommel, 2010 Oil on linen 10 x 9 in.