Kyung-Me
b. 1991 Lives and works in New York, NY
EDUCATION
| 2018 | MFA, Yale School of Art, New Haven, CT |
SOLO & TWO-PERSON EXHIBITIONS
| 2026 | I, Sunflower, Bureau, New York, NY |
| 2023 | The House in the Trees, Kiang Malingue, Hong Kong |
| 2022 | Sister, Bureau, New York, NY |
| 2019 | Coniunctio, Kyung-Me & Harry Gould Harvey IV, Bureau, New York, NY |
| 2018 | Poor Thing, Kyung-Me & Sydney Shen, Hotel Art Pavilion, Brooklyn, NY |
| Theatre of Cruelty, Ashton Hudgins & Kyung-Me, Museum Gallery, Brooklyn, NY | |
| 2017 | Copy Kitty, Selena Gallery, Brooklyn, NY |
| 2016 | BAD KOREAN, 17 Essex Gallery, New York, NY |
GROUP EXHIBITIONS
| 2026 | V-Effekt, Halsey McKay Gallery, Brooklyn, NY |
| 2025 | From Being Jealous of a Dog’s Vein, curated by Brook Hsu, Kiang Malingue, New York, NY |
| Fifteen-Year Anniversary Exhibition, Bureau, New York, NY | |
| 2024 | My Story Gallery, High Art & Sister, Seoul, South Korea |
| 2023 | Dwelling, Canal Projects, New York, NY |
| 2022 | Introverse: Allegory Today, curated by Howie Chen and Alex Ito, 80WSE, New York, NY |
| In the Eye of the Beholder, Magasin III, Museum for Contemporary Art, Stockholm, Sweden | |
| 2021 | Group Show, in lieu, Los Angeles, CA |
| untitled Arrangement, Bureau, New York, NY | |
| The Lonely Ones, online exhibition, cur. by Katelyn Eichwald, Fortnight Institute, New York, NY | |
| 2020 | Until tomorrow: Ten Years of Bureau, Bureau, New York, NY |
| 2019 | Liminal States, Kraupa-Tuskany Zeidler, Berlin, Germany |
| Human Nature, Tiger Strikes Android, Brooklyn, NY | |
| Comfort Zone, One Eyed Studios, Brooklyn, NY | |
| 2018 | NADA Miami, Hotel Art Pavilion, Miami, FL |
| Cat Lady, Teen Party, Brooklyn, NY | |
| Tails, Next to Nothing Gallery, New York, NY | |
| Through Line, Steve Turner Gallery, Los Angeles, CA | |
| Way Out Now, Diane Rosenstein Gallery, Los Angeles, CA | |
| NADA New York, Hotel Art Pavilion, Brooklyn, NY | |
| Wild Seed, Green Gallery, New Haven, CT | |
| 2017 | First Year Retrospective, 17 Essex Gallery, New York, NY |
| CatCatDogDog, Louis Fratino & Kyung-Me, The Bermuda Project, Ferguson, MO | |
| 2015 | The Gates Are Open, Green Gallery, New Haven, CT |
BIBLIOGRAPHY & CONTRIBUTIONS
| 2026 | Eshban-Laderman, Yonatan. “V-Effekt.” The Brooklyn Rail, February 2026. |
| Lee, Shannon. “The Labyrinths of Creative Process: Q&A with Kyung-Me.” Hyundai Artlab, February 2026. | |
| 2025 | Wong, Mimi. “8 Rising Asian American Women Artists to Watch.” Artsy, May 2025. |
| 2023 | Belknap, John. “It’s dark but just a frame: the drawings of Kyung-Me.” Conceptual Fine Arts, February 2023. |
| 2022 | Dayal, Mira. "Sin and Symmetry: An Interview with Kyung-Me." Art in America, December 2022. |
| Lee, Shannon. “Kyung-Me on Depicting the Labyrinth of the Psyche.” The Amp, December 2022. | |
| Yau, John. “Expressionism Turned Inside Out.” Hyperallergic, November 2022. | |
| 2020 | Illustration in "A Quest to Discover America’s First Science-Fiction Writer." By Paul Collins, The New Yorker, November 2020. |
| Storm, Rebecca. “Kyung-Me & Harry Gould Harvey IV's Coniunctio.” Editorial Magazine, January 2020. | |
| Wu, Danielle. “House of Worship.” The Offing, January 2020. | |
| Fateman, Johanna. “Coniunctio.” The New Yorker, January 2020. | |
| 2019 | Hatfield, Zack. “Kyung-Me and Harry Gould Harvey IV.” Artforum.com, December 2019. |
| Illustration series with Kyung-Me, Bomb Magazine, Issue 148, 2019. | |
| 2018 | illustration in ‘Tell Me One More Time What to Do About Grief,’ by Jo Firestone, The New York Times, December 2018. |
| Ollman, Leah. “When the cover of a book becomes postcard art: Captivating messages in surprising packages.” Los Angeles Times, August 2018. | |
| “The Hort’s Favorite Artworks from NADA New York’s 2018 Preview.” Artspace, February 2018. | |
| “Star Painter Jamian Juliano-Villani’s Favorite Works from NADA New York’s 2018 Preview.” Artspace, February 2018. | |
| 2017 | “Kyung Me’s Copy Kitty.”The Editorial Magazine |
| Fulleylove, Rebecca. “Kyung Me’s detailed series tells the tale of a cat struggling with identity.” It’s Nice That, July 2017. | |
| 2016 | Wu, Danielle. “A Good Girl Gone Bad Sketches Her Korean American Experience.” Hyperallergic, October 2016. |
| Fulleylove, Rebecca. “Kyung Me explores young love in New York through her free-form drawings.” It’s Nice That, October 2016. | |
| Frank, Priscilla. “Perfectly ‘Bad’ Drawings Depict Your Traumatic Early 20s In Colored Pencil.” HuffPost, September 2016. | |
| Shi, Diana. “Korean Artist Sketches Awkward Daily Life in Illustrations.” Vice, September, 2016. | |
| “Preview: Kyung Me’s Bad Korean.” The Editorial Magazine, 2016. | |
| Korean Foundation for International Cultural Exchange |
AWARDS
| 2024 | 21st AHL- T&W Foundation Contemporary Visual Art Gold Award |
| 2022 | Picture Collection Artist Fellowship, The New York Public Library |
PUBLICATIONS
| 2020 | Copy Kitty, 2d Cloud, Chicago |
| 2016 | Bad Korean, Spaceface Books |
COLLECTIONS
Baltimore Museum of Art Magasin III, Museum for Contemporary Art, Stockholm Whitney Museum of American Art