Libby Rothfeld
b. 1990, New Brunswick, NJ Lives and works in New York, NY
EDUCATION
| 2012 | BFA, New York University, New York, NY |
SOLO & TWO-PERSON EXHIBITIONS
| 2024 | Selects: Libby Rothfeld, 2016-2024, University Galleries of Illinois State University, Normal, Illinois |
| 2023 | I Can’t Wait I’m Going to Have a Great Time, SpazioA, Pistoia, Italy |
| Libby Rothfeld and John Knight at Apparatus Projects, Apparatus Projects, Chicago, IL | |
| Rampage, Inge, Plainview, NY | |
| 2021 | Junker, Bureau, New York, NY |
| 2020 | Everybody Knows, SpazioA, Pistoia, Italy |
| 2018 | Confidence in Motion, Downstairs Projects, New York, NY |
| 2017 | Noon and Afternoon, Bureau, New York, NY |
| Libby Rothfeld, Pumpkin Head, Red Hook, NY | |
| 1999, Antoine Renard & Libby Rothfeld, curated by Siliqoon, Marsèlleria, Milan, Italy | |
| A Dumb Sound, A Sweet Bell, Anne Libby & Libby Rothfeld, 315 Gallery, Brooklyn, NY | |
| AAa:Quien, Erica Baum & Libby Rothfeld, Bureau, New York, NY | |
| 2015 | Libby Rothfeld, First Continent, Baltimore, MD |
| Good To Think With, Good To Think Against, Kimberly-Klark, Queens, NY |
GROUP EXHIBITIONS
| 2024 | Double Lift, David Petersen Gallery, Minneapolis, MN |
| 2023 | Bisto, Chris Andrews Gallery, Montreal, Canada |
| 2022 | Drawings by Sculptors, Helena Anrather Gallery, New York, NY |
| Introverse: Allegory Today, curated by Howie Chen and Alex Ito, 80WSE, New York | |
| 2021 | This Dialogue which happened to be present in all previous dialogues, Alyssa Davis Gallery, New York, NY |
| 2020 | Until tomorrow: Ten Years of Bureau, Bureau, New York, NY |
| Beauty Can Be the Opposite of a Number, Bureau, New York, NY | |
| 2019 | Rubus Armeniacus (Himalayan blackberry), Jessica’s Apartment, New York, NY |
| Friend of a Friend, Galeria Stereo hosting Bureau and Union Pacific (London), Warsaw, Poland | |
| 2018 | Condo New York: Bureau hosting Kristina Kite Gallery (Los Angeles) and Hopkinson Mossman |
| (Auckland/Wellington), New York, NY | |
| Ascending Delight, Savoy Centre, Glasgow International, Glasgow, Scotland | |
| Condo London: Southard Reid hosting Bureau (New York) and Park View (Los Angeles), London, United Kingdom | |
| Darren Bader: more or less, with Anca Munteanu Rimnic, Michael E. Smith, and a cast of thousands, Sadie Coles HQ, London, United Kingdom | |
| 2017 | Homestead, Carl Louie, London, Ontario, Canada |
| In The Hopes of Not Being Considered, Kate Werble Gallery, New York, NY | |
| 2016 | 189 Beach 86th St, organized by Justin Caguait and Irina Lotarevich, Rockaway, NY |
| Return Policy, Howard St., New York, NY | |
| 2000, Sydney-Sydney, Sydney, Australia | |
| Boil the Ocean, Bodega, New York, NY | |
| Welcome to Earth, The Story So Far..., High-Tide Gallery, Philadelphia, PA | |
| Plain Sight, Albertine Monroe-Brown Gallery, West Michigan University | |
| 2013 | Libby Rothfeld, Swig Arts Center, Hightstown, NJ |
| 2012 | Switch Hook and Tone Dialer, Commons Gallery, New York, NY |
| Taylor, Kim, Rothfeld and Sons, Rosenberg Gallery, New York, NY | |
| 2010 | Amundsen’s Tent, Gallery 8 in 80WSE Gallery, New York, NY |
AWARDS & RESIDENCIES
| 2017 | Lab at Siliqoon, Bologna-Milan, Italy |
| 2016 | Interstate Projects, Brooklyn, NY |
| 2014 | The Richard Hirsch Memorial for Students in the Arts, New York University |
| Louise Bourgeois Residency, YADDO, Saratoga Springs, NY | |
| 2012 | Ox-Bow, Saugatuck, MI |
SELECTED BIBLIOGRAPHY
| 2023 | Brecht Wright Gander, 'Studio Visit: Libby Rothfeld by Brecht Wright Gander,' BOMB Magazine, May |
| 2022 | Sean Tatol, 'Libby Rothfeld', Artforum, October 2022, pp. 180-183 |
| 2020 | Will Heinrich, ‘Beauty Can Be the Opposite of a Number,’ The New York Times, February |
| 2019 | Krzysztof Kosciuczuk, ‘As ‘Friend of a Friend’ Opens in Warsaw, We Pick the Shows to See,’ Frieze, April |
| 2018 | Grace Ann Leadbeater, 'Libby Rothfeld,' Close Journal, Edition Two: Family, p.94 – 101 |
| Nico Jacobsen, ‘Artist Interview: Libby Rothfeld,’ Totokaelo, May | |
| 2017 | Yin Ho, 'Critic's Pick: Libby Rothfeld,' Artforum.com, December |
| Kaitlyn A. Kramer, ‘Critic’s Pick: Erica Baum & Libby Rothfeld,’ Artforum.com, January | |
| Chris Wiley, “AAa:Quien,” ‘Goings on About Town,’ The New Yorker, January | |
| 2016 | Nicholas Chittenden Morgan, ‘Critic’s Pick: Daydream 2013.’ Artforum.com, August |
| ‘Studio Visit: Libby Rothfeld,’ Sex Magazine, July | |
| ‘From Now On (Anymore),’ Sorry Archive | |
| 2015 | Alex Jovanovich, ‘Critic’s Pick: Libby Rothfeld,’ Artforum.com, February |
| ‘Charm School, Dream The End,’ curated by Alexander Jovanovich |