Patricia Treib
b. 1979, Saginaw, MI Lives and works in Brooklyn, NY
EDUCATION
| 2006 | MFA, Columbia University, New York, NY |
| 2001 | BFA, The School of the Art Institute of Chicago, Chicago, IL |
SOLO EXHIBITIONS
| 2024 | Enfold, Kate MacGarry, London, United Kingdom (forthcoming) |
| 2023 | Undulations, Galerie Nordenhake, Stockholm, Sweden |
| 2022 | Oscillations, Galerie Nordenhake, Mexico City, Mexico |
| 2021 | Variations, F, Houston, TX |
| Sleeve Variations, Overduin & Co., Los Angeles, CA | |
| 2020 | Arm Measures, Bureau, New York, NY |
| 2019 | Limbs, Kate MacGarry, London, United Kingdom |
| 2018 | Grotesquerie, Galerie Nordenhake, Stockholm, Sweden |
| 2017 | Interstices, Bureau, New York, NY |
| 2016 | At the Same Time, Galería Marta Cervera, Madrid, Spain |
| 2015 | Mobile Sleeve, Kate MacGarry, London, England |
| 2013 | Patricia Treib, Wallspace, New York, NY |
| 2012 | Pieces, Tibor de Nagy, New York, NY |
| 2010 | Patricia Treib, Golden Gallery, Chicago, IL |
| 2008 | Patricia Treib, John Connelly Presents, New York, NY |
SELECTED GROUP EXHIBITIONS
| 2024 | Of Flesh and Air, Galería Marta Cervera, Madrid, Spain |
| 2023 | Throughline, Bureau, New York, NY |
| 2022 | Friends in a Field: Conversations with Raoul De Keyser, Mu.ZEE, Ostend, Belgium |
| Learn but the letters forme(d) by heart, Then soon you'l gain this noble art, Adams and Ollman, Portland, Oregon | |
| Twenty, Kate MacGarry, No.9 Cork Street, London, United Kingdom | |
| Weeds and Spores, Alexandre Gallery/Alexandre Fine Art Inc., New York, NY | |
| Ninth Street and Beyond: 70 Years of Women in Abstraction, Benjamin R. Hunter and Hayden Dunbar, New York, New York, NY | |
| 2021 | Field of Vision, Peter Blum Gallery, New York, NY |
| Rabbit Hole, organized by Adam Marnie, F, Houston, TX | |
| 2020 | Cadmio Limón, Galería Pelaires, Mallorca, Spain |
| Until tomorrow: Ten Years of Bureau, Bureau, New York, NY | |
| Le realtà ordinarie, cur. by Davide Ferri, Palazzo de Toschi, Bologna, Italy | |
| 2019 | The Samovar, Overduin & Co., Los Angeles, CA |
| Vanquishing Ocular, cur. by David Salle and Nicole Wittenberg, Rental Gallery, East Hampton, NY | |
| What Wind, Galerie Ceysson & Bénétière, New York, NY | |
| City Prince/sses, Palais de Tokyo, Paris, France | |
| 2018 | Eddy’s Room, Galleri Thomassen, Gothenburg, Sweden |
| Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY | |
| 2017 | We’ll turn Manhattan into an island of joy, Markus Luettgen, Cologne, Germany |
| Quicktime, Rosenwald-Wolf Gallery, The University of the Arts, Philadelphia, PA | |
| 2016 | Show Window, Kate MacGarry, London, England |
| As if in a foreign country, curated by Chris Sharp, Galerie Nächst St. Stephen Rosemarie | |
| Schwarzwälder, Vienna, Austria | |
| Gesture Play, Simon Subal, New York, NY | |
| C.Ar.D., curated by Paolo Baldacci and Daniela Volpi, Pianello Val Tidone, Italy | |
| Intimisms, organized by Aliza Nisenbaum, James Cohan Gallery, New York, NY | |
| The Clear and The Obscure, curated by Chris Sharp, Lulu, Mexico City, Mexico | |
| Nice Weather, curated by David Salle, Skarstedt Gallery, New York, NY | |
| Background/Foreground, Nordenhake, Stockholm, Sweden | |
| 2015 | Becoming the Image, projects at fifteen, curated by Fiona Biberstein, Tel Aviv, Israel |
| Suddenly, Last Summer, Longhouse Projects, New York, NY | |
| Fictions, organized by Adam Marnie, Derek Eller, New York, NY | |
| 2014 | From Pre-History to Post-Everything, Sean Kelly Gallery, New York, NY |
| Colony Room, Simon Preston Gallery, New York, NY | |
| No Ground But Say Ground, curated by Joe Fyfe, Halsey McKay, East Hampton, NY | |
| Shakti, Brand New Gallery, Milan, Italy | |
| 2013 | Spectrum Suite, Nichelle Beauchene Gallery, New York, NY |
| Ten Years, Wallspace, New York, NY | |
| 2012 | The Mystery Trend, Wallspace, New York, NY |
| Hot White Flesh Ties, Favorite Goods, Los Angeles, CA | |
| Modern Talking, Cluj Museum, Cluj, Romania | |
| 2011 | We Remembered, We Anticipated a Peacock, and We Find a Peony, Golden Gallery, New York, NY |
| Four Rooms, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland | |
| Reverie, curated by Stephen Westfall, Zürcher Studio, New York, NY | |
| Straw, curated by Erik Lindman, Hannah Barry Gallery, London, England | |
| Expanded Painting, Prague Biennale 5, Prague, Czech Republic | |
| A Painting Show, Harris Lieberman Gallery, New York, NY | |
| 2009 | Besides, With, Against, And Yet: Abstraction and The Ready-Made Gesture, curated by Debra Singer, The Kitchen, New York, NY |
| Autumn, Leroy Neiman Gallery, Columbia University, New York, NY | |
| The Open, Deitch Studios, Long Island City, New York, NY | |
| If the Dogs are Barking, Artists Space, New York, NY | |
| On From Here, Guild & Greyshkul, New York, NY | |
| 2008 | A New High in Getting Low, John Connelly Presents, New York, NY |
| 2007 | Fractured in Aspect, Andrew Kreps, New York, NY |
| Powers of Ten: Successive Orders of Formal and Psychological Magnitude, curated by Nicola Vassell, 96 Greene, New York, NY | |
| For the People of Paris, curated by Scott Lyall, Sean Paul and Blake Rayne, Sutton Lane, Paris, France | |
| 2006 | AIR, curated by Amy Sillman, Monya Rowe Gallery, New York, NY |
| The Manhattan Project, curated by Jeffrey Uslip, Fredric Snitzer Gallery, Miami, FL | |
| 2005 | The General’s Jamboree, Guild & Greyshkul, New York, NY |
BIBLIOGRAPHY & PUBLICATIONS
| 2021 | Dodie Kazanjian, 'Many Artists Began Painting Outside During the Pandemic—And They Might Never Go Back,' Vogue, September 15 |
| Mira Dayal, ‘Patricia Treib,’ Artforum, January/February | |
| 2020 | Louis Block, ‘Suzan Frecon & Patricia Treib,’ The Brooklyn Rail, October 7 |
| Patricia Treib, Bureau, New York, Kate MacGarry, London, Galerie Nordenhake, Berlin, Mexico City, Stockholm | |
| 2018 | Bill Powers, ‘Patricia Treib: interview,’ ARTLOVER MAGAZINE, Number 38 |
| Patricia Treib: Printmaking Both Fast and Slow’: Interviewed by Valerie Wade, Crown Point Press, Spring | |
| 2017 | Ella Coon, ‘The Same but Different: Patricia Treib’s Paintings Empower the Spaces in Between,’ ARTnews, August |
| Timothy Hull, 'Interview - Patricia Treib,' Aujourd'hui, June | |
| Will Heinrich, 'Goings on About Town: Patricia Treib,' The New Yorker, June | |
| Roberta Smith, ‘What to See in New York Art Galleries This Week,’ The New York Times, June | |
| 2016 | Joe Fyfe, ‘Patricia Treib by Joe Fyfe,’ BOMB, Summer |
| 2015 | Sherman Sam, ‘Reviews: Patricia Treib,’ Artforum, September |
| The White Review, No.13, Green Shape, cover image, April | |
| Suzanne Hudson, Painting Now, pub. by Thames & Hudson | |
| 2014 | Lucas Blalock, ’The Artists’ Artists,’ Artforum, December |
| Roberta Smith, ‘Clash of the Items, at a Gallery Near You,’ The New York Times, July | |
| Jeff Frederick, ‘Reviews: Patricia Treib,’ Art in America, February | |
| Lloyd Wise, ‘Reviews: Patricia Treib,’ Artforum, January | |
| ‘Patricia Treib,’ thislongcentury.com, January | |
| 2013 | Peter Schjeldahl, 'Patricia Treib,' The New Yorker, November |
| Jeffery Stuker, ‘Patricia Treib at Wallspace,’ Mousse Magazine, #26, November | |
| Gabriela Salazar, ‘The Theater of Abstraction: Patricia Treib at Wallspace,’ artcritical.com, December | |
| ‘Critic’s Pick: Patricia Treib,’ Time Out New York, November | |
| 2012 | Heather Corcoran, ‘Patricia Treib,’ Flash Art, November-December |
| Claire Barliant, ‘Paticia Treib,’ The New Yorker, September | |
| Roberta Smith, ‘The Mystery Trend,’ The New York Times, July | |
| Nicola Trezzi, ‘United States of Abstraction,’ Art Experience NYC, Vol. 1, No. 7 | |
| 2011 | Nana Asfour, ‘Review: Reverie,’ Time Out New York, June |
| Jenna Lundin, ‘Art: A Painting Show,’ Vogue.com, May | |
| 2010 | Abraham Ritchie, ‘Paths of Abstraction,’ ArtSlant, #6, September |
| Caroline Busta, ‘Besides, With, Against and Yet,’ May Revue, Issue #3 | |
| Suzanne Hudson, ‘Besides, With, Against and Yet,’ Artforum, February | |
| 2009 | Colby Chamberlain, ‘Besides, With, Against and Yet: Abstraction and the Readymade Gesture, Artforum.com, December |
| Roberta Smith, ‘A Gallery Goes Out In a Burst of Energy,’ The New York Times, February | |
| 2008 | David Cohen, ‘Pic of the Day,’ artcritical.com, November |
| 2007 | Maxwell Heller, ‘A Day with The Marie Walsh Sharpe Foundation Space Program,’ The Brooklyn Rail, November |
| Holland Cotter, ‘Art in Review: Fractured in Aspect,’ The New York Times, August |
AWARDS AND RESIDENCIES
| 2020 | Guggenheim Fellowship, New York, NY |
| 2017 | Artadia Award, New York, NY |
| 2016 | Palacio de Campos, Asturias, Spain |
| 2014 | Dora Maar House, Ménerbes, France |
| 2013 | MacDowell Colony Fellowship, Peterborough, NH |
| 2011 | Skowhegan School of Painting and Sculpture, Madison, ME |
| 2007 | The Marie Walsh Sharpe Foundation, Space Program, Brooklyn, NY |
| 2005 | Agnes Martin Fellowship, Columbia University, New York, NY |
| 2004 | Dong Kingman Fellowship, Columbia University, New York, NY |
COLLECTIONS Aïshti Foundation Colby College Museum of Art RISD Museum The Achenbach Foundation for Graphic Arts, Fine Arts Museums of San Francisco The Morgan Library & Museum The National Gallery of Art Zabludowicz Collection