Vivienne Griffin

The New Note, 2024 Cláirseach Harp, pewter, motors, 3D resin print, 3D bamboo print, Bela board, power supply, computer fans, DI box, speaker, harp pick-up Dimensions variable

Heavy Metal Incense Burner, 2024 Pewter, steel, incense Dimensions variable

Dhá Phingin, 2024 Irish two pence coins Dimensions variable, Site-specific installation

Digital image of a planes of water and sky, columns and light dot the right hand side, reflecting on another plane of dark panel flooring, also reflecting the cloudy sky.

The Fake Haven, 2021 Digital video, sound 16:30 (still)

Digital image of a lit candle floating in a dark shimmery plane of water.

The Fake Haven, 2021 Digital video, sound 16:30 (still)

Image of a sculpted hand made from white alabaster sitting on a black reflective surface

This Expectation Hangover, 2017 Alabaster and plaster Dimensions variable, hand to scale

Two figures wearing hooded sweatshirts are face to face as if kissing, one is wearing black and the other white. To the right of them is a P.A. style speaker on a stand.

Vivienne Griffin and Cian McConn I As In Us, 2017 (Performance documentation) The National Museum of Contemporary Art Bucharest, Romania

Image of a sculpted hand holding what appears to be an iPhone, all made from white alabaster, resting on top of three tiers of cast plaster basins, which then is on top of a large solid block of alabaster.

Untitled (Shrine of Our Times), 2017 CNC-milled alabaster, plaster and alabaster 11.25 x 6.5 x 12.75 inches

Installation view of several drawings pinned to the wall of a white room. Three drawings in succession on the left each say "Insert image here." Three drawings to the right of that depict the same image of window blinds. To the right of this are two identical drawings of skulls. Finally next to that is a drawing that says "I'm doing fucking great, thanks for asking."

I should be doing something else right now, 2017 featuring Jenny Carson, Cian McConn, Kristen Jensen (Installation view) Bureau at Grand Army Collective, New York

In the corner of a gallery there are a series of three speakers directly on the floor, wires messily strewn about, to the left is a sculpture of a large chunk of stone with a cast metal microphone piercing it, to the right a sculpture of a metal and stone plinth with a cylindrical piece of alabaster, lit from behind by a lightbulb, with airbrushed tones of pink and blue on the face.

She Said, 2015 (Installation view) Bureau, New York

A large stone with natural edges sits on a wooden gallery floor, the stone has a hole drilled through the top right corner where a large hoop earring pierces the stone.

The Glamour of Ornament 2, 2015 Polyphant stone, gold hoop 14 x 11 x 6 1/2 inches

Atop a blue stone and steel plinth sits a rectangular block of white alabaster. There is a triangular piece of the alabaster cut from the block, and on the bottom is a gradient of pink acrylic paint.

A Slow Moving Thing, 2014-2015 Alabaster, fluorescent acrylic paint, limestone, lacquered steel 44 1/2 x 10 3/4 x 10 3/4 inches

Image of an ink drawing of a pearl necklace floating in the middle of the page, in a white frame.

Pearls, 2015 India ink on paper 27 1/2 x 19 1/2 inches

An alabaster cylinder rests on top of a stone and steel plinth, the cylinder is lit from behind with a light bulb and has an airbrushed spray of pink and blue watercolor on the surface.

Intimacy (again), 2015 Alabaster, watercolor, limestone, tempered steel 34 3/4 x 16 2/5 x 11 3/4 inches

Atop a blue stone and steel plinth sits a rectangular block of white alabaster. There is a triangular piece of the alabaster cut from the block, and it is resting on its side atop block of memory foam pressing into the foam.

The Nostalgia of an Object, 2014-2015 Alabaster, memory foam, limestone, lacquered steel 46 3/4 x 10 1/2 x 10 1/2 inches

Ink on paper drawing of an empty wine glass against a blank background.

Empty Wine Glass, 2014 India ink on paper 27 1/2 x 19 1/2 inches

Ink drawing on paper of the the phrase "Poetic bank-ruptcy" (sic) stacked vertically against a blank white background.

Poetic Bankruptcy, 2015 India ink on paper 27 1/2 x 19 inches

Water color drawing of an iridescent pocket knife on a blank white background inside a white frame.

Rainbow Pocket Knife, 2015 Graphite and airbrush on paper 27 1/2 x 19 1/2 inches

Ink drawing on paper of a modern three-leg coffee table with a circular glass top against a blank white background, framed in a white frame.

Coffee Table, 2015 India ink on paper 27 1/2 x 19 1/2 inches

Ink drawing completely black with white text that spells "WW HHH YYYY"

Why, 2014 India ink on paper 27 1/2 x 19 1/2 inches

Inside a room there are several classical sculptures, including one of a man sitting in a contemplative way, looking at a more contemporary sculpture of a block of alabaster turned on its side. There is a cubic design painted on the wall in the background.

The Nostalgia of an Object and the Pain of Glass, 2014 (Installation view) former studio of Gediminas Jokubonis, Vilnius, Lithuania

Inside a round room classical figurative sculpture lines the walls. A single ray of sunshine beams across the image and illuminates one of the sculptures.

The Nostalgia of an Object and the Pain of Glass, 2014 (Installation view) former studio of Gediminas Jokubonis, Vilnius, Lithuania

Ink drawing on paper of a series of dandelions standing side by side against a blank white background.

Like Nature But Not, 2014 India ink on paper 27 1/2 x 19 1/2 inches

Ink drawing on paper of the dancer and choreographer Pina Bausch staring straight with a hand holding a cigarette resting on her cheek, against a blank white background.

Pina Bausch, 2013 India ink on paper 15 x 11 inches

Image of a drawing displaying the text "Only the young die good."

Only the Young Die Good, 2013 India ink on paper 15 x 11 inches

On a gallery wall, a drawing in a white frame hangs above a shelf housing a small sculptural object.

Vivienne Griffin: The Me Song for Now Here, 2013 (Installation view) Bureau, New York

In a gallery space, several framed drawings are installed near two vertical sculptures, one is in the center of the room and the other is leaning on the wall to the right.

Vivienne Griffin: The Me Song for Now Here, 2013 (Installation view) Bureau, New York

Ink drawing on paper of the words "The Joy" in a serif font, stacked on top of each other with an exaggeratedly large calligraphic "Y" against a blank white background.

The Joy, 2011 India ink on paper 11 x 9 1/4 inches