Patricia Treib
b. 1979, Saginaw, MI Lives and works in Brooklyn, NY
EDUCATION
| 2006 | MFA, Columbia University, New York, NY |
| 2001 | BFA, The School of the Art Institute of Chicago, Chicago, IL |
SOLO & TWO-PERSON EXHIBITIONS
| 2026 | Repetition Repetition, Patricia Treib & Bram van Velde, 42 Carlton Place, Glasgow, Scotland |
| Armscye, Galerie Nordenhake, Berlin, Germany | |
| 2025 | Sinuations, Bureau, New York, NY |
| 2024 | Icon Arms, ARCH, Athens, Greece |
| Enfold, Kate MacGarry, London, United Kingdom | |
| 2023 | Undulations, Galerie Nordenhake, Stockholm, Sweden |
| 2022 | Oscillations, Galerie Nordenhake, Mexico City, Mexico |
| 2021 | Variations, F, Houston, TX |
| Sleeve Variations, Overduin & Co., Los Angeles, CA | |
| 2020 | Arm Measures, Bureau, New York, NY |
| 2019 | Limbs, Kate MacGarry, London, United Kingdom |
| 2018 | Grotesquerie, Galerie Nordenhake, Stockholm, Sweden |
| Crown Point Press, San Francisco, CA | |
| 2017 | Interstices, Bureau, New York, NY |
| 2016 | At the Same Time, Galería Marta Cervera, Madrid, Spain |
| 2015 | Mobile Sleeve, Kate MacGarry, London, England |
| 2013 | Patricia Treib, Wallspace, New York, NY |
| 2012 | Pieces, Tibor de Nagy, New York, NY |
| 2010 | Patricia Treib, Golden Gallery, Chicago, IL |
| 2008 | Patricia Treib, John Connelly Presents, New York, NY |
GROUP EXHIBITIONS
| 2026 | Abstraction & Ourselves, Cafesjian Art Trust Museum, Shoreview, MN |
| Repetition Repetition, 42 Carlton Place, Glasgow, Scotland | |
| 2025 | Holes, curated by Lakshmi Luthra, Clifford Art Gallery, Colgate University, Hamilton, NY |
| Fifteen-Year Anniversary Exhibition, Bureau, New York, NY | |
| What's New? Recent Acquisitions, Rollins Museum of Art, Winter Park, FL | |
| 2024 | A Planar Garden, organized by Stephen Westfall, Alexandre Gallery, New York, NY |
| Thresholds, The Wolford House, Los Angeles, CA | |
| Of Flesh and Air, Galería Marta Cervera, Madrid, Spain | |
| 2023 | Throughline, Bureau, New York, NY |
| 2022 | Friends in a Field: Conversations with Raoul De Keyser, Mu.ZEE, Ostend, Belgium |
| Learn but the letters forme(d) by heart, Then soon you'l gain this noble art, Adams and Ollman, Portland, Oregon | |
| Twenty, Kate MacGarry, No.9 Cork Street, London, United Kingdom | |
| Weeds and Spores, Alexandre Gallery/Alexandre Fine Art Inc., New York, NY | |
| Ninth Street and Beyond: 70 Years of Women in Abstraction, Benjamin R. Hunter and Hayden Dunbar, New York, New York, NY | |
| 2021 | Field of Vision, Peter Blum Gallery, New York, NY |
| Rabbit Hole, organized by Adam Marnie, F, Houston, TX | |
| 2020 | Cadmio Limón, Galería Pelaires, Mallorca, Spain |
| Until tomorrow: Ten Years of Bureau, Bureau, New York, NY | |
| Le realtà ordinarie, cur. by Davide Ferri, Palazzo de Toschi, Bologna, Italy | |
| 2019 | The Samovar, Overduin & Co., Los Angeles, CA |
| Vanquishing Ocular, cur. by David Salle and Nicole Wittenberg, Rental Gallery, East Hampton, NY | |
| What Wind, Galerie Ceysson & Bénétière, New York, NY | |
| City Prince/sses, Palais de Tokyo, Paris, France | |
| 2018 | Eddy’s Room, Galleri Thomassen, Gothenburg, Sweden |
| Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY | |
| 2017 | We’ll turn Manhattan into an island of joy, Markus Luettgen, Cologne, Germany |
| Quicktime, Rosenwald-Wolf Gallery, The University of the Arts, Philadelphia, PA | |
| 2016 | Show Window, Kate MacGarry, London, England |
| As if in a foreign country, curated by Chris Sharp, Galerie Nächst St. Stephen Rosemarie | |
| Schwarzwälder, Vienna, Austria | |
| Gesture Play, Simon Subal, New York, NY | |
| C.Ar.D., curated by Paolo Baldacci and Daniela Volpi, Pianello Val Tidone, Italy | |
| Intimisms, organized by Aliza Nisenbaum, James Cohan Gallery, New York, NY | |
| The Clear and The Obscure, curated by Chris Sharp, Lulu, Mexico City, Mexico | |
| Nice Weather, curated by David Salle, Skarstedt Gallery, New York, NY | |
| Background/Foreground, Nordenhake, Stockholm, Sweden | |
| 2015 | Becoming the Image, projects at fifteen, curated by Fiona Biberstein, Tel Aviv, Israel |
| Suddenly, Last Summer, Longhouse Projects, New York, NY | |
| Fictions, organized by Adam Marnie, Derek Eller, New York, NY | |
| 2014 | From Pre-History to Post-Everything, Sean Kelly Gallery, New York, NY |
| Colony Room, Simon Preston Gallery, New York, NY | |
| No Ground But Say Ground, curated by Joe Fyfe, Halsey McKay, East Hampton, NY | |
| Shakti, Brand New Gallery, Milan, Italy | |
| 2013 | Spectrum Suite, Nichelle Beauchene Gallery, New York, NY |
| Ten Years, Wallspace, New York, NY | |
| 2012 | The Mystery Trend, Wallspace, New York, NY |
| Hot White Flesh Ties, Favorite Goods, Los Angeles, CA | |
| Modern Talking, Cluj Museum, Cluj, Romania | |
| 2011 | We Remembered, We Anticipated a Peacock, and We Find a Peony, Golden Gallery, New York, NY |
| Four Rooms, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland | |
| Reverie, curated by Stephen Westfall, Zürcher Studio, New York, NY | |
| Straw, curated by Erik Lindman, Hannah Barry Gallery, London, England | |
| Expanded Painting, Prague Biennale 5, Prague, Czech Republic | |
| A Painting Show, Harris Lieberman Gallery, New York, NY | |
| 2009 | Besides, With, Against, And Yet: Abstraction and The Ready-Made Gesture, curated by Debra Singer, The Kitchen, New York, NY |
| Autumn, Leroy Neiman Gallery, Columbia University, New York, NY | |
| The Open, Deitch Studios, Long Island City, New York, NY | |
| If the Dogs are Barking, Artists Space, New York, NY | |
| On From Here, Guild & Greyshkul, New York, NY | |
| 2008 | A New High in Getting Low, John Connelly Presents, New York, NY |
| 2007 | Fractured in Aspect, Andrew Kreps, New York, NY |
| Powers of Ten: Successive Orders of Formal and Psychological Magnitude, curated by Nicola Vassell, 96 Greene, New York, NY | |
| For the People of Paris, curated by Scott Lyall, Sean Paul and Blake Rayne, Sutton Lane, Paris, France | |
| 2006 | AIR, curated by Amy Sillman, Monya Rowe Gallery, New York, NY |
| The Manhattan Project, curated by Jeffrey Uslip, Fredric Snitzer Gallery, Miami, FL | |
| 2005 | The General’s Jamboree, Guild & Greyshkul, New York, NY |
BIBLIOGRAPHY & PUBLICATIONS
| 2025 | Block, Louis. “Patricia Treib: Sinuations.” The Brooklyn Rail, May 2025. |
| Yau, John. “WTF Is Planar Painting?” Hyperallergic, January 23, 2025. | |
| 2023 | Higashino, Yuki. “Patricia Treib.” Artforum, December 2023. |
| Treib, Patricia. Oscillations, Galerie Nordenhake, 2023. | |
| 2021 | Kazanjian, Dodie. “Many Artists Began Painting Outside During the Pandemic—And They Might Never Go Back.” Vogue, September 15, 2021. |
| Dayal, Mira. “Patricia Treib.” Artforum, January/February 2021. | |
| 2020 | Block, Louis. “Suzan Frecon & Patricia Treib.” The Brooklyn Rail, October 7, 2020. |
| Dugan, Michelle. ed. Patricia Treib, New York: Bureau; London: Kate MacGarry; Stockholm: Galerie Nordenhake, 2020 | |
| 2018 | Powers, Bill. “Patricia Treib: interview.” ARTLOVER MAGAZINE, 2018. |
| “Patricia Treib: Printmaking Both Fast and Slow.” By Valerie Wade. Crown Point Press, Spring 2018. | |
| 2017 | Coon. Ella. “The Same but Different: Patricia Treib’s Paintings Empower the Spaces in Between.” ARTnews, August 2019. |
| Heinrich, Will. “Patricia Treib.” Goings on About Town, The New Yorker, June 2017. | |
| Hull, Timothy. “Interview - Patricia Treib.” Aujourd'hui, June 2017. | |
| Smith, Roberta. “What to See in New York Art Galleries This Week.” The New York Times, June 2017. | |
| 2016 | Fyfe, Joe. “Patricia Treib by Joe Fyfe.” BOMB, Summer 2016. |
| 2015 | Sam, Sherman. “Reviews: Patricia Treib.” Artforum, September 2015. |
| Treib, Patricia. Green Shape, 2014. Oil on paper, 15 ¼ × 11 ¼ in. The White Review, No.13, Cover, March 2015. | |
| Hudson, Suzanne. Painting Now, Thames & Hudson, 2015. | |
| 2014 | Blalock, Lucas. “The Artists’ Artists.” Artforum, December 2014. |
| Smith, Roberta. “Clash of the Items, at a Gallery Near You.” The New York Times, July 2014. | |
| Frederick, Jeff. “Reviews: Patricia Treib.” Art in America, February 2014. | |
| Wise, Lloyd. “Reviews: Patricia Treib.” Artforum, January 2014. | |
| “Patricia Treib.” thislongcentury.com, January 2014. | |
| 2013 | Salazar, Gabriela. “The Theater of Abstraction: Patricia Treib at Wallspace.” artcritical.com, December 2013. |
| Stuker, Jeffery. “Patricia Treib at Wallspace.” Mousse Magazine, November 2013. | |
| Schjeldahl, Peter. “Patricia Treib.” The New Yorker, November 2013. | |
| "Critic’s Pick: Patricia Treib." Time Out New York, November 2013. | |
| 2012 | Corcoran, Heather. “Patricia Treib.” Flash Art, November/December 2012. |
| Barliant, Claire. “Paticia Treib.” The New Yorker, September 2012. | |
| Smith, Roberta. “The Mystery Trend.” The New York Times, July 2012. | |
| Trezzi, Nicola. “United States of Abstraction." Art Experience NYC, Vol. 1, No. 7, 2012. | |
| 2011 | Asfour, Nana. “Review: Reverie.” Time Out New York, June 2011. |
| Lundin, Jenna. “Art: A Painting Show.” Vogue.com, May 2011. | |
| 2010 | Ritchie, Abraham. “Paths of Abstraction.” ArtSlant, September 2010. |
| Hudson, Suzanne. “Besides, With, Against and Yet.” Artforum, February 2010. | |
| Busta, Caroline. “Besides, With, Against and Yet.” May Revue, 2010. | |
| 2009 | Chamberlain, Colby. “Besides, With, Against and Yet: Abstraction and the Readymade Gesture.” Artforum.com, December 2009. |
| Smith, Roberta. “A Gallery Goes Out In a Burst of Energy.” The New York Times, February 2009. | |
| 2008 | Cohen, David. “Pic of the Day.” artcritical.com, November 2008. |
| 2007 | Heller, Maxwell. “A Day with The Marie Walsh Sharpe Foundation Space Program.” The Brooklyn Rail, November 2007. |
| Cotter, Holland. “Art in Review: Fractured in Aspect.” The New York Times, August 2007. |
AWARDS AND RESIDENCIES
| 2020 | Guggenheim Fellowship, New York, NY |
| 2017 | Artadia Award, New York, NY |
| 2016 | Palacio de Campos, Asturias, Spain |
| 2014 | Dora Maar House, Ménerbes, France |
| 2013 | MacDowell Colony Fellowship, Peterborough, NH |
| 2011 | Skowhegan School of Painting and Sculpture, Madison, ME |
| 2007 | The Marie Walsh Sharpe Foundation, Space Program, Brooklyn, NY |
| 2005 | Agnes Martin Fellowship, Columbia University, New York, NY |
| 2004 | Dong Kingman Fellowship, Columbia University, New York, NY |
COLLECTIONS Aïshti Foundation Colby College Museum of Art The Achenbach Foundation for Graphic Arts, Fine Arts Museums of San Francisco The Morgan Library & Museum The National Gallery of Art Rollins Museum of Art, Rollins College RISD Museum Zabludowicz Collection